Showing posts with label The Journal. Show all posts
Showing posts with label The Journal. Show all posts

Friday, March 20, 2015

MUAN 38.1 "Continued Conversations" Web-Exclusive Content: James Dixon Interview Part 1

In Musuem Anthropology 38.1, co-editors Maxine McBrinn and Tony Chavarria conducted interviews with museum anthropologists working within the university setting. This web-exclusive content adds to their collection of interviews published in the journal. 

This interview is with Dr. James Dixon, Director, Maxwell Museum of Anthropology and Professor of Anthropology, College of Arts and Sciences at the University of New Mexico in Albuquerque, New Mexico. This Part 1 of 2. 

1. Describe your job.
As director of the Maxwell Museum of Anthropology and Professor of Anthropology at University of New Mexico (UNM) I provide administrative leadership for the Museum.  I am responsible for the management of all aspects of the Museum’s programs, resources and services including fiscal management and personnel.  In my role as professor I also serve on a variety of academic committees, teach courses, mentor graduate students, conduct research, and publish.

2. How does being associated with a university assist your job and institution?
One of the great benefits of being at a university is interaction with students, particularly graduate students. They are a great asset to the Museum and its programs.  Their enthusiasm and talent improves the quality of what we do.

3. Does being associated with a university add challenges to your job?
Yes, administrating a museum within a state university system is challenging.  University administrators are not familiar with museums.  Many do not understand their relevance to the university mission.  Because they are familiar only with methods that measure success based on classroom instruction and enrollment statistics, it is takes constant effort to educate them to ensure they understand the essential role of museums in institutions of higher education. 

4. How do university students interact with the museum?

The Museum provides unique educational opportunities in terms of experiential learning in both anthropology and museum studies.  Faculty and staff facilitate these learning opportunities and as a result work closely with many students on a daily basis. Museum and non-museum faculty teach formal classes, offer practica, and provide independent study opportunities for a wide variety of students.  Students also interact by participating in museum programs, events, and exhibitions.

Monday, March 09, 2015

MUAN 38.1 "Continued Conversations" Web-Exclusive Content: Jill Minar Interview Part 2

In Musuem Anthropology 38.1, co-editors Maxine McBrinn and Tony Chavarria conducted interviews with museum anthropologists working within the university setting. This web-exclusive content adds to the collection of interviews published in the journal. 

This interview is with Dr. Jill Minar, Instructor of Anthropology/Archaeology in the Anthropology, Economics, and Geography Department, Social Sciences Division at Fresno City College in Fresno, California. This is Part 2 of 2. 

5. Do you think students take full advantage of having museums on campus?  
No.  On our campus most students are not aware of the museums on campus and so do not frequent them.  In trying to resolve this issue, we had a mural painted on the outside of our building space, added two large signs, one on the campus mall side of our building and one on the museum wall.  Since then we have had an increase in the visitors to the museum.  

6. Does the university have a Museum Studies program? If so, how does that influence your answers to the above?
No, we do not have a Museum Studies program.  Fresno City College has tried to have some museum courses (in anthropology and art) as we have several museums/galleries on campus.  The need to have very small class sizes (low interest combined with hands-on instruction) made this impossible in these days of strict budgets.  

7. Do you reach out to students outside the university?
Fresno City College has an active outreach program to the school districts in Fresno and the surrounding communities, working to bring young people from preschool through high school to the college campus.  We are in a community that suffers from high dropout rates in high school, families who have no experience with college education, and high poverty levels.  The goal of the outreach program is to give young people a chance to see what a college is like and to become acquainted with the campus with the hope that they will see a college education as part of their future.  As part of this outreach, various departments on campus provide tours to the visiting students.  The Museum of Anthropology participates in this outreach by providing tours of the museum to visiting school groups throughout the school year.  Currently, given our lack of paid staff and low budget, these school group tours already stretch our ability to meet the need and so no further outreach is done by the museum to the community on a regular basis.  The museum has held open house events, workshops, and tours for special occasions for which we do advertise to the greater Fresno area.  We have been featured in the local paper and had a television program broadcast from the museum in the past few years.

8. What do you see in the future for university associated museums?

In my opinion, there is a very strong and vibrant future for university/college associated museums especially if museums focus on engaging students in the functioning of the museum.  Important connections can be made when students are able see their academic studies in action and where they can actually participate in making that happen. Even given all the administrative headaches, I see that our museum provides something that is lacking in other areas of our campus: it provide a place where students connect with each other and with faculty.  They are engaged in, are connected to and are part of, a community.  According to our campus basic skills faculty, these are important to student success.  On the museum side, having a steady stream of engaged students who want to work or volunteer keeps things lively.  In recent years when budgets were slashed, our student docents pitched in and helped to keep the museum open many more hours than would have been possible otherwise.  They had learned the value of their contribution to our campus community and gave of their time and talents to keep it going.  I expect that these students will carry their passion for museums on into the places where they end up living and working after college – they represent the next generation of museum advocates in our communities. 

Friday, February 27, 2015

MUAN 38.1 "Continued Conversations" Web-Exclusive Content: Jill Minar Interview Part 1

In Musuem Anthropology 38.1, co-editors Maxine McBrinn and Tony Chavarria conducted interviews with museum anthropologists working within the university setting. This web-exclusive content adds to their collection of interviews published in the journal. 

This interview is with Dr. Jill Minar, Instructor of Anthropology/Archaeology in the Anthropology, Economics, and Geography Department, Social Sciences Division at Fresno City College in Fresno, California. This Part 1 of 2. 

1. Describe your job.
I am primarily a community college instructor of anthropology.  At our college, the normal teaching load is five classes per semester.  Because I am also responsible for our small museum and archaeological curation facility/archives, I am relieved of one class per semester. 

2. How does being associated with a university assist your job and institution? 
Mission – associated with education – having a built in community of learners every semester. Facility bills are paid by the college:  we don’t have an electric, water, or trash bill for example.  We can hook in to the campus outreach programs and advertising.  
Museums associated with colleges can provide a unique setting in the academic world.  Our museum, and I would assume most others associated with colleges and universities, provides a physical place where our community of learners can interact with each other and with faculty outside the classroom.  This extracurricular contact provides a connection between students, their peers, and their teachers that stimulates engagement.  Students find that their museum experiences are where the classroom meets the outside world.  They see their studies actually applied and they see the results that happen with visitors to the museum.  Students who participate as docents also have an opportunity to learn time management, collections management, educational tour development, as well as other job and life skills.  In our department, we see that students who are engaged in this way have better success in the classroom and stick around to complete their degrees with actual plans for further education and career paths.  

3. Does being associated with a university add challenges to your job?  
The college is my employer and my primary job is to teach introductory level anthropology courses.  It was assumed, when I was hired, that I would also be responsible for managing the Museum of Anthropology and the associated curation facility and archives.  I was given release time from one class for one year to bring the museum and curation facility and archives up to modern standards of exhibit design and curation practice while at the same time revamping the college’s archaeological technician program.  After one year, my teaching load returned to five classes per semester.  It took seven years for the college to realize that this was unrealistic and I was given release time from one class every semester to manage the museum, curation facility and archives.  Given that the museum, curation facility, and archives were very much ‘behind the times,’ the process of completely stabilizing collections, organizing the archives, and improving the museum exhibits is still on going.  
It would seem that having a museum associated with a college or university would be beneficial to the museum and to the college.  However, in our situation, the college has not recognized the financial and staffing needs required to run a museum and we struggle to keep the doors open.  The college took federal monies to create the museum as part of constructing a new building in the 1970s and so realizes that it cannot “get rid of” the museum (though they tried to turn the space into a computer lab one year without even talking to the anthropology faculty), but there is little actual support.  
In addition, the college staff, including senior administrators, do not understand the security requirements for museum and archaeological curation spaces.  We have an alarm system, but the campus police regularly turn it off for anyone who asks.  Recently, technology support staff entered the curation space without supervision and removed the computer with our collections data base on it to upgrade the operating system.  It was not thought necessary to discuss this with me first.   I simply received an email telling me the computer had been removed.  Fortunately, I was able to stop the upgrade until we could make sure that our data base program was compatible with the new operating system.  This could have been a disaster but was a blessing in disguise as it made me much more aware of how vulnerable our data and our collections are in the college as opposed to museum environment.  Meetings with administrators and some changes to access policies will hopefully help.  

4. How do university students interact with the museum?
The Museum of Anthropology has a docent program in which any student who has successfully completed at least one anthropology course may participate.  Docents go through some basic training about housekeeping and maintenance, exhibit content, interacting with the public, and providing tours to visitors.  The docents provide tours to visiting college students, faculty, and staff as well as visitors to the campus including grade school field trip groups.
Our anthropology majors have begun to use the museum as a meeting point since many of them volunteer as docents.  This has created a space for community to develop and as such has been extremely important in our efforts to improve student success and retention.  
Some faculty (anthropology, history, American Indian studies, among others) utilize the museum, having students come to visit the museum to complete various assignments.  

Wednesday, February 25, 2015

Museum Anthropology 38.1: Web-Exclusive Content

In the latest issue of Museum Anthropology (38.1), journal co-editors Tony Chavarria and Maxine McBrinn co-authored an article of interviews with anthropologists that work in university museums. 

Over the next few weeks, we will be posting previously unpublished interviews as web-exclusive content. 

Keep an eye out for this exciting addition to the blog! 

Sunday, October 05, 2014

Museum Anthropology - New Issue Available Online!

Museum Anthropology 37(2) Fall 2014

Table of Contents:

EDITORIALS
Embracing the Future of Museum Anthropology (pages 85–86)
Jennifer A. Shannon and Cynthia Chavez Lamar

INTERVIEWS
Museum Anthropology: Conversations in the Field (pages 87–101)
Lillia McEnaney and Jennifer A. Shannon

ARTICLES
Polysemic Objects and Partial Translations: Museums and the Interpretation of Indigenous Material Culture in Taiwan (pages 102–117)
Marzia Varutti

Crafting, Community, and Collaboration: Reflections on the Ethnographic Sala Project at the Pukara Lithic Museum, Peru (pages 118–132)
Elizabeth A. Klarich

Digital Heritage, Knowledge Networks, and Source Communities: Understanding Digital Objects in a Melanesian Society (pages 133–143)
Graeme Were

A Century of Circulation: The Return of the Smithsonian Institution's Duplicate Anthropological Specimens (pages 144–159)
Catherine A. Nichols


BOOK REVIEWS
A Living Exhibition: The Smithsonian and the Transformation of the Universal Museum (pages 160–162)

Kylie Message

A Place That Matters Yet: John Gubbins's Museum Africa in the Postcolonial World (pages 162–164)
Richard Zimmer

Colonial Collecting and Display: Encounters with Material Culture from the Andaman and Nicobar Islands (pages 164–166)
Carla M. Sinopoli

No Deal!: Indigenous Arts and the Politics of Possession (pages 166–167)
Haidy Geismar

Museums and Social Activism: Engaged Protest (pages 167–168)
Miranda J. Brady

In the Spirit of the Ancestors: Contemporary Northwest Coast Art at the Burke Museum (pages 168–170)
Anya Montiel

Treasured Possessions: Indigenous Interventions into Cultural and Intellectual Property (pages 170–171)
Tressa Berman

EXHIBIT REVIEW
Imagine Africa with the Penn Museum. Exhibit at the University of Pennsylvania Museum of Archaeology and Anthropology (pages 172–174)
Diana E. Marsh

Monday, June 16, 2014

Welcome New Museum Anthropology Editors!

It is our pleasure to introduce the next editors of the Museum Anthropology journal: Maxine McBrinn, Curator of Archaeology, and Tony Chavarria (Santa Clara Pueblo), Curator of Ethnology at the Museum of Indian Arts and Culture in Santa Fe, NM. And we are also pleased to announce that Lillia McEnaney will continue as blog intern.  For more information on the new editors and a special feature based on Lillia's interviews with museum anthropologists, please see our upcoming and final issue of the journal (Volume 37.2). 

Sunday, January 12, 2014

Do you teach a course in Museum Anthropology?

Following up on our survey, we invite you to email us your syllabus so that we can share reading resources and themes for teaching Museum Anthropology (to undergraduates, graduates, practitioners, etc). 

Please send your syllabi or lists of readings/themes to mua4web@gmail.com by May 30, 2014. We will compile the information and share it with our readers. 

Thank you!

Sunday, November 24, 2013

Ideas for Authors to Get the Word Out

Wiley Blackwell and the American Anthropological Association have held a number of meetings informing editors on how to get articles to reach more people... here are some suggestions that you can implement on articles you have already written, or ones you will submit in the future:

1) The article title is important!  Use title words that will correlate with search terms.  For example, "Mediating Culture" would not be a great stand alone title for an article. Try to get key words in the title to facilitate people being able to search and find your article easier.  Be specific, and try to avoid colons.

2) Associated content.  Because the articles are distributed online, you can add additional content through the online portal.  For example, a video abstract, additional photos, etc.  Keep this in mind when you submit your paper.

3) Use social media like Facebook, Twitter, and websites like blogs and your faculty or student webpage, etc. to tell the wider public your article has been published.  Include a link to the article.  There are new impact factor metrics that can include social media as well as citations in other articles to measure the impact of your article.  These metrics are sometimes important to departments in tenure discussions. Recent uses of web tech includes a google hangout recorded and posted with an article, short interviews with authors, etc.  Other suggestions from Wiley is to create a Wikipedia page that links to your article and contact your university media relations office with a description of your work to raise awareness.

4) Virtual issues can be used to curate and publish online a thematic or other grouping of articles from a journal, or across journals, at the AAA/Wiley Blackwell site.  There is no deadline for creating these compilations, and they only require a few paragraphs of introduction.  If you are interested in doing this, contact the journal and pitch the idea.  It entails minimal labor (beyond sifting through many issues and selecting a list of articles) and those virtual issues end up bringing in a lot of traffic to a journal's site. 


Friday, June 29, 2012

Our Farewell!

Dear Museum Anthropology Readers:

With this posting, we bid you farewell as the co-editors of Museum Anthropology. The next post will come to you from the new editors!

Editors are largely at the mercy of the authors who seek to publish with them. In that sense, we see the journal not as a product of our work so much as a result of our colleagues’ commitment to keeping Museum Anthropology flourishing. We are grateful to everyone who submitted to the journal, and the many more, we hope, who are considering submitting a paper in the near future.

The other significant group of people that keeps the journal’s wheels turning is the more than two hundred peer reviewers with whom we have worked over the last three years. The double-blind peer review process that we initiated in 2009 means that peer reviewers rarely get the accolades they deserve. Without them and their dedicated efforts and contributions, there would not be a peer-reviewed journal.

We also thank our editorial board members, whose insights and advice helped us expand our reach across disciplines and continents. Our thanks also go to the AAA publishing department and the Wiley-Blackwell production staff, and also the Council for Museum Anthropology Board of Directors, who facilitated our efforts and allowed us to push boundaries from time to time.

Finally, and especially, we thank Christine Weeber, our Editorial Manager, in-house copy editor, and proofreader, whose amazing perseverance and professionalism have helped make the journal such a pleasure to put together. We are especially pleased to report also that Weeber will continue her work as managing editor, which will help make the editorial transition proceed even more smoothly. Quite simply, Weeber’s steady hand, attention to detail, and behind-the-scenes efficiency make her an indispensible asset to the successful production of Museum Anthropology.

We now turn over the editorial reins to Dr. Jennifer Shannon of the University of Colorado at Boulder and Dr. Cynthia Chavez Lamar of the Indian Arts Research Center at the School for Advanced Research in Santa Fe. We have every confidence that they will continue the long tradition of excellence for which Museum Anthropology is known. We wish them all the luck and look forward to 2013 when we can open the journal and enjoy it again, as readers.

Sincerely,
Chip Colwell-Chanthaphonh and Stephen E. Nash

Tuesday, December 06, 2011

Anthropology Spotlight App

The American Anthropological Association announces that it has just launched a Wiley-Blackwell anthropology app, Anthropology Spotlight, available for the iPhone, iPad, and iPod Touch.

Among other things, our new app contains abstracts for Museum Anthropology.

It is free and available for download at the iTunes store:
http://itunes.apple.com/us/app/anthropology-spotlight/id477973128?mt=8

Anthropology Spotlight is not to be confused with the AAA’s meeting app (http://bit.ly/s3tHtq), which is a useful tool for the AAA conference.

Wiley-Blackwell Anthropology Spotlight’s features include:


• Latest information on key anthropology conferences and latest conference tweets
• A free, comprehensive Frommer’s travel guide to major conference locations (in this case, Montreal)
• Latest abstracts for anthropology articles and books, including the ability to “follow” your favorite publications
• Latest Special Issues, including free articles
• Access to a series of Publishing Workshops, in audio and PDF format
• Customizable YouTube search tool to find educational videos
• A customizable search of scholarly literature, blogs and news articles related to anthropology
• Customizable Syllabi Search tool to find syllabi freely available on institutional websites, perfect for generating teaching ideas
• The ability to bookmark any content you see, email yourself a Reading List and share content via Facebook and Twitter
• The ability to add your own RSS feeds, allowing you to keep track of your favorite sources

Please download and help spread the word!

Friday, March 18, 2011

Museum Anthropology - Vol. 34, No. 1

The next issue of Museum Anthropology is out!

Museum Anthropology
Volume 34, Issue 1 Page 1 - 89

ARTICLES

COLLABORATIVE MUSEOLOGY AND THE VISITOR (pages 1–12)
Lainie Schultz

NOT FOR ART'S SAKE: An Early Exhibition of Pre-Columbian Objects at the Toledo Museum of Art, 1928–1929 (pages 13–27)
Sarah Fee

OBJECT DIASPORAS, RESOURCING COMMUNITIES: Sierra Leonean Collections in the Global Museumscape (pages 28–42)
Paul Basu

THE HEARST MUSEUM OF ANTHROPOLOGY, THE NEW DEAL, AND A REASSESSMENT OF THE “DARK AGE” OF THE MUSEUM IN THE UNITED STATES (pages 43–55)
Samuel Redman

NEOCOLONIAL COLLABORATION: Museum as Contact Zone Revisited (pages 56–70)
Robin Boast

BOOK REVIEWS

First Nations Cultural Heritage and Law: Case Studies, Voices, and Perspectives. By Catherine Bell and Val Napoleon, eds, and Protection of First Nations Cultural Heritage: Laws, Policy, and Reform. By Catherine Bell and Robert K. Paterson, eds. (pages 71–73)
Andrea Laforet

Reburying the Past: The Effects of Repatriation and Reburial on Scientific Inquiry. By Elizabeth Weiss (pages 73–74)
Tamara L. Bray

Museums and Empire: Natural History, Human Cultures and Colonial Identities. By John M. MacKenzie (pages 74–75)
Shawna M. Meiser

The British Consular Service in the Aegean and the Collection of Antiquities for the British Museum. By Lucia P. Gunning (pages 75–76)
Michael Llewellyn Smith

Material Cultures, 1740–1920: The Meanings and Pleasures of Collecting. By John Potvin and Alla Myzelev, eds. (pages 76–78)
Christina J. Hodge

The Indian Craze: Primitivism, Modernism, and Transculturation in American Art, 1890–1915. By Elizabeth Hutchinson (pages 78–79)
Marinella Lentis and Nancy J. Parezo

Border Crossings: Transnational Americanist Anthropology. By Kathleen S. Fine-Dare and Steven L. Rubenstein, eds. (pages 79–80)
Kathleen Pickering Sherman

Cave, City, and Eagle's Nest: An Interpretive Journey through the Mapa de Cuauhtinchan No. 2. By Davíd Carrasco and Scott Sessions, eds. (pages 80–82) Marc N. Levine

Around and About Marius Barbeau: Modelling Twentieth-Century Culture. By Lynda Jessup, Andrew Nurse, and Gordon E. Smith, eds. (pages 82–83)
Richard Handler

Identity and the Museum Visitor Experience. By John H. Falk (pages 83–85)
Kathleen Tinworth

EXHIBIT REVIEWS

Traje de la Vida: Maya Textiles of Guatemala. Exhibit at the Phoebe A. Hearst Museum of Anthropology (pages 86–87)
Lynn A. Meisch

Gifts from the Ancestors: Ancient Ivories of Bering Strait. Exhibit at the Princeton University Art Museum (pages 87–89)
Erin L. Hasinoff

Thursday, January 27, 2011

Museum Anthropology Editor Search

The Council for Museum Anthropology of the American Anthropological Association, announces a search for a new editor of Museum Anthropology, the section's peer reviewed journal.

Museum Anthropology is published twice yearly by Wiley-Blackwell. It appears in print, for members of the section and for institutional subscribers, as well as on AnthroSource, the AAA's portal for all of its publications. The new editor would officially assume the position as of July 1, 2012, but we believe the role will be easier with considerable overlap time with the current editor--including attendance at CMA's executive board and AAA's editors board meetings at the 2011 AAA meetings in Montreal, Canada. The editor also oversees the journal's blog and serves as an appointed Council for Museum Anthropology executive board officer. Financial support for editorial staff is negotiated each fiscal year with the CMA Board.

Individuals interested in applying for the position should contact the current editors Chip Colwell-Chanthaphonh and Steve Nash at muaeditor@gmail.com for additional information. We are also requesting a brief letter of interest that indicates your experience and ideas for the journal, and a recent curriculum vita. The deadline is April 1, 2011.

The final choice of the next editor will be made by the current CMA Board of Directors.

Monday, November 01, 2010

Multimedia Supplement to MUA Article

Additional Material related to NAGPRA at 20: Museum Collections and Reconnections.

"NAGPRA at 20: Museum Collections and Reconnections," an article in the most recent volume of Museum Anthropology (Volume 33, Issue 2, pages 105-124), describes relationships that developed between the American Museum of Natural History (AMNH) and three Indian Tribes. These relationships began with NAGPRA and its mandate and went on to flourish beyond the issue of repatriation. In this page, the authors post supplemental material that will provide greater context and dimension to these three important stories.

Beaver Canoe Prow Piece
In the article, the authors tell the story of the only canoe to have survived the U.S. Navy’s bombardment of the Tlingit village of Angoon, Alaska, in 1882. The prow piece of that canoe would later become part of the AMNH’s ethnographic collection. The museum repatriated the canoe prow to Kootznoowoo, Incorporated, in 1999 and it arrived in Angoon on the 117th anniversary of the bombardment. The following video captures the October 26, 1999, repatriation ceremony: here. It begins as the prow piece arrives from Juneau via ferry where more than half the village turned out to welcome it. This video also features Mark Jacobs and Peter Jack, two Tlingit elders, recounting the story of the bombardment, and Harold Jacobs describing how he came to discover this important item among the collections of the AMNH. To provide the viewer with a greater understanding of the proceedings, Garfield George, the current caretaker of the canoe prow piece, has provided captions for the video.

Willamete Meteorite/Tomanowos
The authors tell the story of the Willamette Meteorite, the largest ever found in the United States, its journey from Oregon to the AMNH and its connection to the Clackamas people who call it Tomanowos. Although the meteorite was the subject of a repatriation claim, the AMNH and the Confederated Tribes of the Grand Ronde (which includes Clackamas members), reached an agreement that ensures access to the meteorite by members of the tribe for religious, historical, and cultural purposes while maintaining its continued presence at the AMNH for scientific and educational purposes. The Confederated Tribes of the Grand Ronde and the AMNH celebrated the 10th anniversary of their historic agreement in June 2010. The authors provide links to a video that AMNH posted to its website and to a special insert about Tomanowos and the celebration that the Confederated Tribes of the Grand Ronde included in its monthly newsletter, Smoke Signals: here.

Additional information about the history and culture of the Confederated Tribes of the Grand Ronde is available at the Tribe’s website: here.

A Rediscovering of Caddo Heritage
The authors describe a highly collaborative relationship between members of the Caddo Nation of Oklahoma, archaeologists and the AMNH that led to the documentation and repatriation of a large collection of funerary objects from the historic Clements Site in eastern Texas. This research also resulted in the publication of two scholarly works one of which is accessible on-line: The Clements Site (41CS25): A Late 17th- to Early 18th-Century Nasoni Caddo Settlement and Cemetery (here).

Many of the funerary objects that the AMNH repatriated from the Clements Site are ceramic vessels that exhibit engraved and incised design motifs, along with distinctive forms that are characteristic of Caddo pottery. To underscore the on-going importance of this ceramic tradition, the authors also include two videos of the Caddo Nation Tribal Historic Preservation Office’s recent workshop that provided instruction on traditional pottery making techniques: here. John E. Miller III, who has spent more than 30 years replicating Caddo pottery styles, led the workshop. The first video is a short slide show that provides an overview of the class from beginning to end. The second video features a more extensive look at portions of the workshop.

Additionally, the Caddo Nation Heritage Museum maintains permanent exhibits of traditional pottery. The engraved bottles, bowls and jars currently on display represent the Caddoan traditions from ca. 1000 AD to the late 1600's contact period. For more information about this institution and its collections, please go to the Caddo Nation Heritage Museum’s website: here.

Saturday, September 25, 2010

Museum Anthropology - Vol. 33, N. 2

MUSEUM ANTHROPOLOGY - 2010 - VOLUME 33, NUMBER 2 - SPECIAL ISSUE: NAGPRA AFTER 20 YEARS

EDITORIAL
NAGPRA AFTER TWO DECADES
Stephen E. Nash and Chip Colwell-Chanthaphonh

RELATIONSHIPS AND COLLECTIONS
NAGPRA AT 20: Museum Collections and Reconnections
Martha Graham and Nell Murphy

PROPATRIATION: Possibilities for Art after NAGPRA
Emily Moore

LOST AND FOUND: NAGPRA, Scattered Relics, and Restorative Methodologies
Margaret M. Bruchac

INSTITUTIONAL DEATH AND CEREMONIAL HEALING FAR FROM HOME: THE CARLISLE INDIAN SCHOOL CEMETERY
Jacqueline Fear-Segal

REFLECTIONS AND PEOPLE
TRIALS AND TRIBULATIONS IN A TRIBAL NAGPRA PROGRAM
Eric Hemenway

COMMENTARY: MY ADVENTURES IN ZUNI—AND KYKOTSMOVI AND WINDOW ROCK AND …
Stephen H. Lekson

REPATRIATION OF AHAYU:DA: 20 Years Later
T. J. Ferguson

REPATRIATION AND COLLABORATION: 20 Years Later
Bruce Bernstein

LEGISLATION AND ADMINISTRATION
NAGPRA at 20: What Have the States Done to Expand Human Remains Protections?
Ryan M. Seidemann

JOURNEYS TO REPATRIATION: 15 Years of NAGPRA Grants, 1994–2008
Sangita Chari

“A WILLINGNESS TO LISTEN TO EACH SIDE”: The Native American Graves Protection and Repatriation Review Committee, 1991–2010
C. Timothy McKeown

REPATRIATION FROM SCOTTISH MUSEUMS: Learning from NAGPRA
Neil G. W. Curtis

EPILOGUE
NATIONAL MONUMENTS
Heid E. Erdrich

Thursday, June 10, 2010

Return to Moundville

A long article in the American Indian Times talking about repatriation and NAGPRA with the Choctaw. Several quotes come from Museum Anthropology editorial board member, Dorothy Lippert.

In other NAGPRA news, here is a new article to appear in Curator: "NAGPRA: Effective Repatriation Programs and Cultural Change in Museums." We haven't read it yet, but seems to be an interesting new viewpoint (and set of data) on how repatriation and consultation really work in the United States.

Saturday, May 15, 2010

Virtual Issue Collection

We are pleased to announce a special virtual issue of Museum Anthropology in recognition of NAGPRA's upcoming 20th anniversary. The collection of papers consists of previously published articles in Museum Anthropology that address NAGPRA, repatriation, and reburial.

Check it out here, or you can find the originals on AnthroSource.

Saturday, April 24, 2010

Endnote and Museum Anthropology

If you're considering submitting an article to Museum Anthropology and you use Endnote, you can now download the journal's style here.

Monday, April 12, 2010

Museum Anthropology - Vol. 33, No. 1

We are exceedingly happy to announce the publication of Museum Anthropology -- vol. 33, no. 1!

CMA members and subscribers should be getting the paper copy in the mail very soon. AAA members can begin downloading articles at AnthroSource. Below is the table of contents.

Museum Anthropology
Volume 33. Issue 1. March 2010

EDITORIAL

A FUTURE FOR MUSEUM ANTHROPOLOGY?

Chip Colwell-Chanthaphonh
Stephen E. Nash

LEADING VOICES

THE MUSEUM AS METHOD

Nicholas Thomas

RETURN TO THE QUAI BRANLY

Sally Price

THE DEVIL IS IN THE DETAIL: Museum Displays and the Creation of Knowledge

Stephanie Moser

"WHITE PEOPLE WILL BELIEVE ANYTHING!" Worrying about Authenticity, Museum Audiences, and Working in Native American–Focused Museums

Larry J. Zimmerman

ARTICLES

MODELING CULTURES: 19th Century Indian Clay Figures

Charlotte H.F. Smith
Michelle Stevenson

STEWARDING A LIVING COLLECTION: The National Park Service and the Vietnam Veterans Memorial Collection

Paulette G. Curtis

FROM THIRD PERSON TO FIRST: A Call for Reciprocity Among Non-Native and Native Museums

Karl A. Hoerig

REVIEW ESSAY

Art and Cultural Heritage: Law, Policy and Practice. By Barbara T. Hoffman, ed. and International Law, Museums, and the Return of Cultural Objects. By Ana Filipa Vrdoljak

Alexander A. Bauer

BOOK REVIEWS

Antiquities under Siege: Cultural Heritage Protection after the Iraq War. By Lawrence Rothfield, ed.

Ann Hitchcock

Negotiation Basics for Cultural Resource Managers. By Nicholas Dorochoff

Rhonda S. Fair

Bones of the Ancestors: The Ambum Stone: From the New Guinea Highlands to the Antiquities Market to Australia. By Brian Egloff

Kathleen Barlow

Creative Spirits: Bark Paintings in the Washkuk Hills of North New Guinea. By Ross Bowden

Alex Golub

Casta Painting: Images of Race in Eighteenth-Century Mexico. By Ilona Katzew

Laura A. Lewis

Carl Hagenbeck's Empire of Entertainments. By Eric Ames

Henrika Kuklick

Collaborating at the Trowel's Edge: Teaching and Learning in Indigenous Archaeology. By Stephen W. Silliman, ed.

Claudine Payne

Telling Children about the Past: An Interdisciplinary Perspective. By Nena Galanidou and Liv Helga Dommasnes, eds.

Jessica Belcoure

Contemporary Art and Anthropology. By Arnd Schneider and Christopher Wright, eds.

Morgan Perkins

Vase Painting, Gender, and Social Identity in Archaic Athens. By Mark D. Stansbury-O'Donnell

Tim McNiven

DIGITAL EXHIBITION AND MEDIA REVIEW

FROM TIME IMMEMORIAL: Tsimshian Prehistory. A Virtual Exhibition at the Canadian Museum of Civilization, 2001

George P. Nicholas

Tuesday, February 09, 2010

Darwin on St. Catherines

A really fun story about David Hurst Thomas' recent experimental work on St. Catherines Island off Georgia. His team is testing evolutionary ecology models looking at foraging and maximizing energy.

(Thomas, as no doubt many of you may know, is an esteemed curator of anthropology at the American Museum of Natural History. Many of you may not know that Thomas is now serving on Museum Anthropology's Editorial Board.)

Tuesday, December 15, 2009

Books Received

More books received for the journal. If you're interested in writing a review, please contact us! muaeditor@gmail.com

Clark, Carol
2009 Charles Deas and 1840s America. University of Oklahoma Press.

Gannon, Thomas
2009 Skylark Meets Meadowlark: Reimagining the Bird in British Romantic and Contemporary Native American Literature. Lincoln: University of Nebraska Press.

Kagan, Jerome
2009 The Three Cultures: Natural Sciences, Social Sciences, and the Humanities in the 21st Century. Cambridge: Cambridge University Press.

Leidy, Denise Patry
2008 The Art of Buddhism: An Introduction to Its History and Meaning. Boston: Shambhala Publications.

MacKenzie, John M.
2009 Museums and Empire: Natural History, Human Cultures and Colonial Identities. Manchester: Manchester University Press.

Savage, Kirk
2009 Monument Wars: Washington D.C., the National Mall, and the Transformation of the Memorial Landscape. Berkeley: University of California Press.

Starna, William A., and Jack Campisi, eds.
2009 William Fenton: Selected Writings. Lincoln: University of Nebraska Press.

Troccoli, Joan Carpenter, ed.
2009 The Masterworks of Charles M. Russell: A Retrospective of Paintings and Sculpture. Norman: University of Oklahoma Press.

Wallace, William
2009 Michelangelo: The Artist, the Man, and His Times. Cambridge: Cambridge University Press.