Online Supplement to Museum Anthropology, the Journal of the Council for Museum Anthropology, a section of the American Anthropological Association
Monday, December 15, 2014
Now Accepting Exhibition Announcement Submissions
If you would like your exhibition covered on the Council for Museum Anthropology's blog, please send an email to mua4web@gmail.com or directly to Lillia.
Please feel free to include press releases, images, and curatorial remarks in addition to the basic exhibition announcement.
Although we cannot guarantee the posting of all shows, we will do our best to publish information about exhibits that we feel are most relevant to the readers of Museum Anthropology.
Thursday, January 16, 2014
Council for Museum Anthropology website
Monday, July 29, 2013
Brave New World Curator: Curating the Americas collections at the Pitt Rivers Museum, University of Oxford
More here.
Wednesday, February 06, 2013
Online Writing as a Tool for Decolonization
http://decolonization.wordpress.com/2013/01/08/online-writing-as-a-tool-for-decolonization/
Sunday, January 01, 2012
Looking Back at Anthropology in 2011
Honoring Janus, looking backward and forward
Neuroanthropology – 2011 Highlights
Savage Minds Annual Highlights
More here
Sunday, August 01, 2010
Inside the President's Studio
+ T.J. Ferguson, archaeologist and AAA Executive Board member
+ João Biehl, award-winning Princeton anthropologist
+ Carolyn Sargent, medical anthropologist and former president of the Society for Medical Anthropology
+ Monica Heller, AAA Executive Program Chair for the 2010 annual meeting in New Orleans
Sunday, June 13, 2010
100 Incredible Anthropology Lectures
We've only a watched a few. But lectures like the one by Wade Davis on Endangered Cultures will inspire you to become an anthropologist all over again.
[Ed. Note: A few links seem to lead to websites that want you to buy something. But most links lead to a cool lecture!]
Monday, May 17, 2010
Visual Anthropology of Japan
Sunday, March 14, 2010
100 Best Blogs
Friday, August 07, 2009
Dawn at the Museum
Wednesday, October 08, 2008
To Bits of News to Note
Those interested in the AAA publishing program should be aware of the recent announcement from the association regarding a move to provide free access to the American Anthropologist and Anthropology News with a 35 year moving wall. This is a complex and interesting matter. Find the press release on the AAA website and find lively discussions on the move on Savage Minds, Long Road, Open Access Anthropology, Open Anthropology, and other anthropology and library-related blogs. See also a full length story in Inside Higher Education.
Sunday, March 30, 2008
Curators on the Loose
Monday, February 18, 2008
"Far from Home" at the North Carolina Museum of Art
Lalla Essaydi, Silence of Thought #2, Proposed purchase, North Carolina Museum of Art, Art Trust Fund, 2008, Courtesy of Edwynn Houk Gallery, New York. © 2003 Lalla Essaydi
RALEIGH, N.C.—On February 17, 2008, the North Carolina Museum of Art opens Far from Home, an exhibition of 29 works of art that address the displacement of people and populations in the global community as they relocate for economic, political, educational, or familial reasons. Admission to the exhibition is free.
Drawn from both public and private collections, Far from Home features 20 of today’s most compelling artists—both widely acclaimed and up-and-coming—from diverse national and cultural origins, many of whom have never been exhibited in this region and appear at the North Carolina Museum of Art for the first time.
Whether focused on the individual or larger community, works of art in the exhibition speak to the expansion of global networks as people relocate and travel, making their way in new places while maintaining connections to homelands and heritage, however tenuous.
“Focusing on the artists’ own narratives alongside processes or conditions such as displacement, separation, and belonging allows for a more nuanced, global identity and for commonalities not often accommodated within the gallery space–among artists, and viewers as well,” said Kinsey Katchka, associate curator of modern and contemporary art.
Artists include Ghada Amer, José Bedia, Jane Benson, Skunder Boghossian, Tseng Kwong Chi, Achamyelah Debela, Ruud van Empel, Lalla Essaydi, Maria Elena González, Seydou Keïta, Hung Liu, Ledelle Moe, Zwelethu Mthethwa, Youssef Nabil, Brigitte NaHoN, Vik Muniz, Michal Rovner, Lorna Simpson, Sebastião Salgado, and Renée Stout.
Far from Home explores various ways that displacement takes visual form in creative expression. Some works offer recognizable images that portray visible transformations of peoples’ identities, while some illustrate spaces of departure, arrival, or dispersal. Other, more abstract forms may accommodate a wider scope of interpretations, as personal changes take place alongside wider group dynamics of belonging and exclusion.
Far from Home has been organized by the North Carolina Museum of Art. The exhibition is made possible, in part, by the North Carolina Department of Cultural Resources and the North Carolina Museum of Art Foundation, Inc.
For more information about the exhibition or the N.C. Museum of Art, visit www.ncartmuseum.org or call (919) 839-NCMA.
Friday, February 01, 2008
Intute: Social Sciences
Friday, November 09, 2007
Kim Christen Guest Blogging on Savage Minds
Monday, September 17, 2007
Following the Nyinkka: See the Color Pictures!
Thanks Kim!
Monday, July 23, 2007
Web Projects Update Part 1: The Museum Anthropology Blog
Museum anthropologists (and friends) in, and beyond, the Council for Museum Anthropology (CMA) may be wondering about the state of Museum Anthropology (MUA) and the story behind its spinoff projects, the Museum Anthropology weblog (which you are reading right now) and the seemingly out-of-the-blue emergence of Museum Anthropology Review (MAR). I will report on all of these projects in full at the fall CMA/AAA meetings, but I can note a few highlights and contexts here. To keep these postings relatively brief, I will divide them up, covering the blog, MAR and MUA separately. Today I will touch briefly on the blog, saving the others for forthcoming posts.The blog is pretty easy to explain. It is coming up on its one year anniversary, which will fall on July 27. Last summer, while I was waiting to finalize the fall 2006 issue of Museum Anthropology (it was then being typeset, I think), I decided to experiment with setting up a blog on which news and views related to the journal could be shared, as could news from the field. Under this later heading could come such things as exhibition notices, calls for papers, etc. Like all weblogs, this one has ebbed and flowed with the availability of content and time to spare. Besides my time and that of the journal editorial assistants who have helped with it, the effort has cost nothing and been reasonably well recieved. This reception is measured in direct feedback to the editorial office as well as visitation statistics and internet chatter, as when posts to the site are linked to or discussed on other blogs. Thankfully, various agregators, such as MuseumBlogs.org have helped people find the site, as have friends such as The Attic and Kim Christen. With one year under its belt, I anticipate keeping going with the blog in something like the current form during the next year. Please keep the blog in mind as a way to spread news of your exhibition (editorial, conference, etc.) projects. We are happy to recieve press releases (etc.) and will do all that we can to note relevant news items.
PS: While enjoying the Museum Anthropology blog, also consider checking out the CMA's own redesigned website. It still needs some fine tuning, but it is up and running and can be found here.
Thursday, June 07, 2007
Student Museum Project Blogging
Tuesday, May 01, 2007
Collections Research and the Web: Reflections on a Successful [Half-] Day's Work at the Pitt Rivers Museum
Collections Research and the Web: Reflections on a Successful [Half-] Day's Work at the Pitt Rivers Museum
Alison Petch
On Tuesday 1 May 2007 I resumed work on a research database that I am compiling (which will ultimately be available online at the "The Other Within" website, here).
There are approximately 350 named companies and manufacturers associated with English objects in our collections. On that day I was trying to find out if there was any information on the web about a gunmaker from Oxford called Nicholes. The Museum previously only knew his surname, no other information, this information having come from the accession book entry:
Accession Book Entry - F. C. WOODFORDE, Esq. Market Drayton, Salop. May [1911]. - Pair of flint-lock pistols by Nicholes of Oxford, with steel wrench for turning the barrels. [1911.15.1]
A search for Nicholes in Google led me to one of my favourite sites: http://www.headington.org.uk/, which is expertly compiled by Stephanie Jenkins in her spare time and contains much valuable information. In this case, John Nicholes (and his father of the same name), as well as being gunsmiths, were both mayors of Oxford (see here for the site that I actually located the information on).
So I had discovered that the firearms were much older than we had thought. Then I noticed on the same site that there is a reference to the famous Parson Woodforde visiting the site and mentioning it in his diary: Parson Woodforde visited Nicholes’s gunshop when an undergraduate in Oxford, and wrote on 29 June 1763: “For a Pocket Pistol, alias a Dram Bottle, to carry in one’s Pocket, it being necessary on a Journey or so—at Nicholl’s, 0. 1. 0.”
So I googled James Woodforde and found both the wikipedia entry, which says when he was at Oxford and also the Parson Woodforde Society. Both of these sites contained much useful information.
I had already noted that the donor was called F.C. Woodforde, and had previously thought it likely that his full name was Francis Cardew Woodforde, so I got the Chairman of the Society's address and emailed him. Martin Brayne is an expert on James Woodforde and the Woodforde family, and he was kind enough to email by return and provide even more information about Francis Cardew Woodforde and the Woodforde connections. Within 2 hours I had found out it was more than likely that our firearms were owned by James Woodforde, passed to FCW and thence to us.
And all this before lunch! This kind of research would have previously taken much time to complete, would have relied upon my following up the Woodforde name similarity, reading all of the journals on the off-chance of a Woodforde connection to Nicholes being mentioned and then being able to tie in Francis Cardew to his ancestor.
The joy that webpages compiled by experts bring to researchers is not often acknowledged. I happened to be in correspondence with Jason, Museum Anthropology's editor and told him how much I had appreciated the way the web had facilitated my research, and enabled me to contact and gain knowleddge from so many experts and he encouraged me to write this piece for the Museum Anthropology blog. The more we use the web and, particularly, the more we add information to the web, the better the information will be and the more we will all gain - imagine what such investigations might be like in 100 years time.
This blog post is dedicated to Stephanie Jenkins and Martin Brayne without whose work and help I would not have had such a successful outcome.