Dear Museum Anthropology enthusiasts,
Thank you to everyone who took the CMA survey – we continue to work on
planning the first inaugural conference for the Council of Museum Anthropology.
Your input is guiding our work, and we very much appreciated your taking the
time to participate in the survey! We had 156 responses. The results are summarized below.
Thank you,
The CMA Conference Committee
Josh Bell, Erica Lehrer, John Lukavic, and Jen Shannon
If you would like the complete
survey results, please email Jen Shannon at jshannon@colorado.edu for a copy (please specify if you prefer a
word document, PDF, or powerpoint).
Brief Summary
Each survey question had between
120 and 156 total responses.
Who Responded?
·
77% of respondents are member of the Council of
Museum Anthropology
·
32% work in a museum alone, 21% have an academic
position, 22% have a dual position in museum and academy, and 17% are students
How much interest is there in a CMA conference?
·
92% would be interested in attending a CMA
conference
·
78% would attend the conference if held in
Montreal
When is the best time to host the conference in
Spring/Summer 2017?
·
65% May
·
56% June
What kinds unconventional sessions sparked the most
interest?
Thematic roundtable sessions (5-7 minute contributions with lots of
time for discussion after)
|
66.67%
|
84
|
Show and tell: museum anthropology experiments
|
63.49%
|
80
|
Curatorial dreaming session (moving from criticism to creativity:
exhibition visioning sessions)
|
61.11%
|
77
|
Paper presentations (with dedicated time for discussion)
|
56.35%
|
71
|
Sessions that require pre-circulated paper for more in depth
discussion and publication planning
|
49.21%
|
62
|
Pedagogy workshop (for sharing ideas and methods in teaching museum
anthropology)
|
49.21%
|
62
|
Emergent media session (to discuss innovations and challenges of
using media in museums)
|
47.62%
|
60
|
Problem-oriented sessions - refine position papers into manifestos,
tool-kits, action plans
|
45.24%
|
57
|
What
topics and themes are people interested in addressing at the conference?
Making museum anthropology more visible and relevant in the larger
discipline
|
19.35%
|
24
|
The challenges of bringing the newest anthropology theory to museum
curating
|
10.48%
|
13
|
Helping ethnographic museums become, and be recognized, as leaders in
discussing pressing social issues for the broad public
|
28.23%
|
35
|
Better linking museums, anthropologists, and communities
|
28.23%
|
35
|
Identifying and discussing leading edge exhibitions that incorporate
contemporary anthropological thought and research
|
13.71%
|
17
|
What additional events are people interested in
attending?
Behind the scenes museum tours
|
89.34%
|
109
|
Museum exhibitions tour and discussion
|
76.23%
|
93
|
Participation of non-anthropologist community/museum partners in
sessions
|
72.13%
|
88
|
Moderated conversations with authors about their new books in Museum
Anthropology
|
54.10%
|
66
|
Film Screening (Evening event)
|
49.18%
|
60
|
Mentoring workshops for students
|
35.25%
|
43
|
Student “conference ethnographers” who reflect back to the whole conference
at the end
|
28.69%
|
35
|
Poster sessions of existing or upcoming exhibitions
|
27.87%
|
34
|
Poster sessions of dream exhibitions
|
27.05%
|
33
|
Additional Data
For those of you who took the survey early on, based on your
suggestions we edited the introductory statement for the conference to read:
How is
“museum anthropology” being re-imagined?
What are
the discipline’s possible futures?
No longer the sole domain of establishment collections and authoritative keepers, anthropologists and their collaborators -- interlocutors, activists, and artists -- are curating anthropology in the field, the laboratory, and the gallery. Never simply the bastions of conservatism they are often imagined to be, museums have long been front runners in public and scholarly debates about knowledge and power, heritage and identity, representation and creativity. Through their ethnography, archaeology, physical anthropology and linguistics collections, and the communities they foster, museums are increasingly spaces for intercultural and multi-generational dialogues, helping to push new boundaries within and beyond anthropology. This conference seeks to examine the present state of the methods and theory of museum anthropology, and to provide a forum for discussion of their possible futures.
No longer the sole domain of establishment collections and authoritative keepers, anthropologists and their collaborators -- interlocutors, activists, and artists -- are curating anthropology in the field, the laboratory, and the gallery. Never simply the bastions of conservatism they are often imagined to be, museums have long been front runners in public and scholarly debates about knowledge and power, heritage and identity, representation and creativity. Through their ethnography, archaeology, physical anthropology and linguistics collections, and the communities they foster, museums are increasingly spaces for intercultural and multi-generational dialogues, helping to push new boundaries within and beyond anthropology. This conference seeks to examine the present state of the methods and theory of museum anthropology, and to provide a forum for discussion of their possible futures.
The Council for Museum Anthropology Inaugural Conference asks: What are
museum anthropology’s most interesting new practices? Where are they taking
place? Who is making them happen? With expectations for outreach and engagement
increasing in both humanities and sciences, we seek to re-center museum
anthropology as a dynamic, century-old form of public scholarship, the
calling-card of our discipline to the broader society.
We invite contributions that
will:
- discuss the challenges
of bringing the newest anthropology theory to museum curating;
- make museum
anthropology more visible and relevant in the larger discipline;
- help anthropology
museums become, and be recognized, as leaders in discussing pressing
social issues for the broad public;
- create better links
among museums, anthropologists, and communities;
- identify existing and
brainstorm new leading edge exhibitions that incorporate contemporary
anthropological thought and research.
In practice terms, this
conference seeks to:
- take stock of what
museum anthropology looks like today, and envision where its futures may
lie;
- create community,
expand our networks and deepen the discussion;
- foster more scholarly
exchange and paper production, including involvement, mentorship, and
support of students and inclusion of scholars beyond North America;
- showcase our relevance
by highlighting museum anthropology’s cutting edge work on theory and
practice on issues such as “collaboration,” “public engagement,” and the
“interrogative museum”;
- unsettle the status
quo by privileging and encouraging experiments and outsiders (e.g. artists
and cultural activists), and other ways of seeing and knowing, to generate
new ideas and directions and identify a new cutting edge.
How many years have you been a CMA member?
2-5 years
|
36.28%
|
41
|
6-10 years
|
20.35%
|
23
|
Over 21 years
|
15.93%
|
18
|
0-1 year
|
10.62%
|
12
|
11-15 years
|
9.73%
|
11
|
16-20 years
|
7.08%
|
8
|
What kinds unconventional sessions sparked the most
interest?
Added suggestions for sessions included
·
PechaKucha presentations- 20 slides, 20 seconds
per slide, no text
·
Lightening rounds of 4 or 5 PechaKucha
presentations grouped thematically with time for discussion
·
Birds of a Feather sessions at breakfast
·
Debate sessions - with pre-circulated topics but
not papers
·
Interaction sessions - here's what we are trying
and why - what do you think?
·
Wenner Gren conference model – distribute
written papers beforehand and discuss at conference
·
Pop-up museum featuring student work or pop-up
exhibits
·
Skill-building workshops, approx. 2 hours with a
product at the end (exhibit proposal, or syllabi?)
·
Exhibition and demonstrations film and media
festival/ screenings
·
Multi-year sessions that aim towards publishing
edited volumes or thematic journal issues
What
topics and themes are people interested in addressing at the conference?
Additional topics added:
Additional topics added:
·
How to advocate for anthropology within museum
institutions
·
Navigating museum/institutional bureaucracy and
overcoming barriers
·
NAGPRA issues writ large
·
Mentoring students in museum anthropology
·
Where does/can museum anthropology take place
(not limited to ethnographic museums/collections)
·
Local community and indigenous involvement
·
New technologies in research and display of
collections
·
How to make sure the important and contributions
of the social sciences are recognized and valued
·
Address the role of anthropology in relation to
the biological sciences (ie, in natural history museums)
·
Legal issues
·
The lack of interest in collection-based
research in leading anthropology journals
·
The relationship of anthropologists to other
museum professionals.
·
What do we learn when community
partnerships/engagement fails?
·
How are curators and museums treating seriously
dated exhibitions ie. about race, evolution, gender?
·
Museums and re-theorizing anthropology –
heighten impact and visibility in publications
·
Explore cross-over interests with other
subfields of Anthropology
·
Museum Anthropology as a key arena that explores
Indigenous identity, traditions, and fluidity
·
Critical museology; interrogating the prevailing
narrative of museums as neutral
·
Envisioning the museum of the future, and the
role of museums in the time of the Anthropocene
·
What does the “newest anthropology theory” mean?
·
Does anthropological theory work differently in
different types of museums?
·
How to become involved in and sustain museum
work while holding a non-museum, academic position
·
Lack of resources for non-STEM fields, and lack
of material interpretive/research skills among students
·
Community engagement, inclusion from Native
American communities
·
How academics can collaborate with communities
on heritage initiatives, particularly contested heritage
·
Commodification of historic (pre-1950)
Indigenous creations, effects on markets for contemporary art
·
Museum activism
·
Integrating university museums into the
educational and public good mission of universities
·
Tactics for gaining leverage for curator’s ideas
within institutional priorities
·
The culture of museums
·
Museums and historical systematic oppression
·
Conflicting discourses between administrative
and scientific agendas
·
How archaeological material is presented in
museum settings; how do we link past and present?
·
The ties between museum studies and museum
anthropology
·
Using discourse that is accessible to the public
and community partners
·
Special issues in university museums
·
Indigenous curation and rethinking collections
care
·
Cultural revitalization
·
Contributions of museum anthropology to
communities outside stable American, and Eurasian societies
·
The role of museums and museum anthropologists
in issues of cultural patrimony and heritage
·
How anthropology can facilitate the development
of relationships between Museums and communities
·
How to represent what we do as museum
anthropologists in a sexier manner
·
Different ways to engage with the field of
museum anthropology as an emerging scholar
·
Tangible examples of how to bridge the theories
discussed into possible methods
·
We are addressing the same paradigm --curators,
collections, programs, exhibitions; what is really new?
·
Might it be possible for museum anthropology to
re-model and re-fit its tool box?
·
Digital Work in Museum Anthropology
·
The future of publishing in Museum Anthropology
·
Relationship between Museum Anth. and
neighboring fields (Art History, Folklore, European Ethnology)
·
Collections research strategies
·
The use of media in museum anthropology
·
Media and community collaboration/repatriation
·
New pedagogical methods
Some Additional, General Suggestions from
Participants in the Survey:
Avoid framing as challenges, they will arise; choose a limited number
of themes to focus on.
Anthropological discourse, such as the statement opening this survey,
is often off-putting to non-academics, including indigenous people. It obscures
common issues of interest. Drop the stylized discourse, which is used to signal
to other highly specialized academics. Focus on clear communication of core
ideas with a wider audience.
I would be most likely to attend if I knew there were particular
themes/topics that would be directly applicable to my own interests.
A substantial online presence for the conference that extends beyond
the time and borders of the conference would be incredibly useful - as a place
to post links to papers, photo tours of exhibits and object collections, and
summarize the proceedings for future reference. If you are writing grants to
fund the conference, I strongly encourage budgeting sufficient funds to build
and maintain a robust conference website.
A special issue of the JMA as a result of the conference could help
participation.
An effort needs to be made to include community members in
presentations. They should not have to be members, and it would be great if we
could offer some scholarship funds to offset travel costs and waive any
registration fee.
I understand that CMA wishes to be a leader here, CMA might consider
partnering with other international organizations that have museums as part of
their structure so that this conference is not seen to be Eurocentric. The
World Archaeological Congress, for example, had a very successful
Inter-Congress in 2011 on Museums and Indigenous People. Other similar
organizations might have real interest
in being involved.
Great idea. Do not restrict it to CMA member but have registration be
low enough to attract potential new CM Members.
Also please avoid scheduling it in April or May. Too much competition then...with SCA, CASCA,
AES.
CMA should consider how marginalized they are within AAA as a whole and
address that gap.
Great idea, thanks for putting this together. Would love to see some of our European,
Asian, African colleagues attend - folks who do pertinent work but are not
based in North America.
I opted for not restricting the conference to CMA members because some
of those who should be involved would be from allied fields (e.g. Native
American Studies) or other museum communities (art museums, historical
museums).
I am very pleased to see that a conference of this nature is being
organized. I believe CMA members could learn a lot from also looking at the
several conferences that have been taking place in the UK and Europe over the
past few years on the contemporary relevance of ethnographic collections and
museums. Thank you for doing this.
Love this idea. Can we go on walking tours? Are sessions critical of
anthropology in museums OK?
As someone who has been to dozens of museum conferences from state to
national level I can tell you emphatically that we DO NOT NEED another
conference that is devoted to self-congratulatory show and tell. I don't care
what hip new idea someone has tried if there is no research into its efficacy.
Did it meet its goals? How can you tell? How do these results add to our
understanding of anthropology in museums?
I would prefer a more central US location, and more meetings in the
future.
I wonder sometimes whether the public is ready for the kind of work we
want to do and whether our exhibits and programs actually have the desired
effects. Exactly how to use exhibitions
to engage the public and get them to question what they know or why they think
that way would be a great topic to address.
Make sure to have funding for Indigenous academics and community members
to come and participate.
Not being forced to have concurrent sessions would be helpful.
Please think about attaching this to the AAA meetings, the day before.
This is the only way that many of us will be able to partake in such a
conference...it would also make it more do-able for students, who have still
more limited budgets.
I would favor making this a joint meeting between the CMA and the
Museum Ethnographers Group and the Folklore and Museums Section of the American
Folklore Society.
CMA is a great community and this conference is a good idea. Thank you
for coordinating!
Very excited to hear about this and looking forward to attending if
possible!
We are too! Thanks again for all
your contributions.
No comments:
Post a Comment